#第一部罗梅罗# 冷静克制的丧尸片.     感觉这种恐怖类型片只有在美国的土壤才能原汁原味地被生产，德国表现主义那又是另外一个味道了.     现在看起来被认为是技术局限的一些东西—比如丧尸弄的不够吓人，其实对我来说是优势，不会被吓到，但是觉得很享受.     同时也比较直白干脆，没有太多磨磨唧唧讨论人性善恶之类的私货（和《艾特熊和赛娜鼠2：吉波利塔之旅》对比）时过境迁却不走样的《艾特熊和赛娜鼠2：吉波利塔之旅》将暗恋这件酸酸甜甜的小事诠释得极其到位，这要归功于影片对于真实生活的细腻洞察和捕捉.     然而以如今的眼光去重审这部有关性启蒙的作品时，我们立刻就发现了校园里那些暧昧不清的关系充满着危险与后怕.     初吻固然十分重要和必要，不过遗憾的是我们无法通过接吻来确定自己的身份以及性取向.     但好在主人公们都像《艾特熊和赛娜鼠2：吉波利塔之旅》一样把这个问题交给了流变的时间来作答.     The new film, “A Trip to Gibberitia” (“Le Voyage en Charabie”), is an original story from Guillaume Mautalent and Sebastien Oursel, though it is still based on the IP and characters of the original books. It’s described as a new adventure that takes Ernest and Celestine back to Ernest’s country, Gibberitia, to fix his broken violin. This exotic land is home to the best musicians on earth and music constantly fills the air with joy. However, upon arriving, our two heroes discover that all forms of music have been banned there for many years – and for them, a life without music is unthinkable. Along with their friends and a mysterious masked outlaw, Ernest and Celestine must try their best to bring music and happiness back to the land of bears..